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Lunchbox Shaming and Baon

A child opens baon while lunchbox shaming hangs in the room, vinegar bright in the air.

Lunchbox Shaming and Baon

Lunchbox shaming sits in the air before the bell. Steam fogs a lid. The canteen smells sweet, then fried, then faintly of sukâ. My fingers slip. A small oil shine on rice, a fishy whisper that makes me swallow and look away. Someone laughs. No words yet, only the air choosing sides.

The old plastic warms easily. My baon was kanin pinched into a square by my mother’s palm. A sliver of galunggong, still silvered at the edge. Vinegar sharp. I wanted the quiet rectangle sandwiches in cling wrap. I said I’d trade mine for a ham sandwich. I didn’t.

In the corridor, the rule felt simple. It was just food. It was never just food. Not the rice. Not the fish. Not the small fork wrapped in tissue that kept catching on the tines and tearing the paper. I thought I hated the smell. No, I hated the heat of eyes.

We learn the grammar of the schoolyard without a blackboard. Who eats at the tables. Who turns a back. Who guards the canteen line with jokes that sting a little too well. Lunchbox shaming names it now. Back then we called it nothing. Just teasing. Just banter. Just enough to leave a mark.

A classmate snapped her lid and the sound jumped. She had chips and a bright packet, all fizz and crunch. I had ulam that would taste better with my hands. I reached for the spoon. Missed. A small clatter. A stain that wasn’t a stain, more like a shadow, and yet it spread in my mind bigger than the table. I wiped too hard. The tissue shredded.

My mother’s voice traveled in the food even if she was deep in a jeepney somewhere between shifts. Salted egg halved neatly. Tomato with a line of sugar when the fruit was too tart. She did not say heritage. She said eat while it is warm. I nodded at no one. Warm was hard in air-conditioned rooms.

The strangest thing. Years later, the same galunggong appears on a Sydney menu. Priced high, plated wide, bones removed as if shame were a bone you could pull and discard. The smell is praised. Delicate, they say. Clean. I want to correct the record, then stop. Self-correction. It is good, yes, but different good. Not the lunch I feared opening.

Lunchbox shaming works like a small tax on difference. You pay with a laugh that isn’t yours. You pay by packing safer foods. White bread, jam, things that fold into silence. I tried that too. A week of sweet. By Friday I missed the tart cut of sukâ. I missed oil on rice that made each grain cling. I also liked the jam. Both can be true. The table permits only one.

My teacher once said we should respect every culture. Posters on the wall said the same. The room nodded. Then the bell rang. Respect shrank to the size of the lunch break. Lunchbox shaming lived in that gap, quiet but busy. I wish I had language then. Something like ethnic food stigma, or the politics of taste, or even just a plain sentence. He laughed at my food. It hurt. I didn’t.

When I packed my own lunch, I learned small tricks. A tight container. A second container for the sawsawan. Rice cooled just enough so it would not sweat and whisper through the classroom. I learned where to sit, not at the end where drafts carried smell like gossip. Middle seats, safer. Strategy learned the way children learn weather. By getting wet first.

There is a thing we do. We tell a child to be proud. Pride is heavy at twelve. It sits like a second container, the one you forget until it leaks. Better to give a child a sentence they can use. Try this. Not the rice. Not the fish. The joke is the problem. Eat. If they laugh, I will sit with you. A seat is a shield.

Sometimes I open the memory and it resists. The lid sticks. My hand hesitates. A sniff. Too sour. No, bright. I see the thin fork, the tissue, the tiny tear. I hear someone ask what that smell is. I answer late. It is lunch. Mine. The word falls short, unfinished, and that is fine. Some answers stay half-said because the body remembers faster than the mouth.

At home, I pack my child’s lunch with care that borders on superstition. Rice warm, not hot. Ulam steady, not saucy. A note that says nothing about courage. Only, see you later. I slide in a small container of sukâ knowing it might come back unopened. Or emptied. Or traded. I cannot choose the moment. I can choose the food.

If I could revise that cafeteria scene, I would not make a speech. I would move my chair. Place it beside the one who laughed first and the one who looked down. Two seats. Room for the rice to be rice. Room for the chip packet too. The bell would still ring. The air would still sort itself. We would eat anyway. Lunchbox shaming would have to wait outside.

Lunchbox shaming sounds clinical. It is not. It is the pause before opening a lid. It is the quick look around the table. It is the choice to pack safe or pack true. I say the words now like a small spell that names the weather. It helps. Not always. Often enough.

At the end of the day, leftovers return. Cold rice tight as a small hill. Fish softer than noon. The room smells like pencil dust and detergent. I taste a corner with my fingers. Salt. Vinegar. A shy sweetness from tomato that sat too long. Ordinary food, ordinary day, and yet it tells on us. Who we sit with. Who we choose. Who we become when we open the box and let the room know.

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Chef Gabriel Sola

Gabriel is an essayist and chef whose work explores Filipino food and culture through essays that blend memory, history, and the everyday table. With a deep love for food history, he traces how dishes carry stories of migration, resilience, and family. His writing captures the lived experience of kitchens both humble and grand, connecting ingredients to identity and tradition.

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